Scott Walker unveils his top ten films – available at home via Curzon On Demand

It has been a busy week for Scott walker. After releasing his brilliant but slightly bonkers new album on Monday and becoming our ultimate pop icon yesterday, he has also teamed up with Curzon Cinemas to choose his top ten films which you can watch at home.

Not surprisingly given his off the wall musical tastes, his film selection is also fairly offbeat and challenging, There’s a full list below with some words from the man himself.

If you do fancy watching them you can do on a Samsung Smart TV with the Curzon on Demand App on board or watch via your PC or iPad at CurzonOnDemand.com .

We are big fans of Curzon on demand at Brandish as it give you access to streaming thousands of art house movies priced at between £1.70 and £4. It is kind of like Lovefilm’s smarter, savvier film buff big brother.

Here’s the list with words from Scott

First of all let me say what a privilege it is to be asked to curate this mini season of films on Curzon on Demand for Curzon Cinemas. An invaluable establishment that has over the years offered and offers still to me and countless other ‘cinephiles’ the very finest of cinematic treasures in the most conducive surroundings.

Though this choice hardly represents a definitive list of my all time favourite films and is conditionally drawn from the Curzon’s embarrassingly impressive catalogue, it nevertheless contains some unmissable glories and current works that have impressed.

A film like Angelopoulos’ The Travelling Players, is a work I’ve not seen since its initial release in the 70s but have fond, if hazy, memories of, so the impulse here is re-acquaintance of which I’m very much looking forward.

There are others like Le Quattro Volte. A film that truly casts a spell. Extraordinary, as for stretches of time, seemingly nothing much is happening and there is virtually no dialogue. Still you find yourself utterly absorbed from beginning to end, only later to be left wondering quite how this magic was achieved. Or, The White Ribbon – a meticulous essay on the making of a Nazi. Haneke is one of the great film-makers of our time and The White Ribbon in my opinion is his finest.

Those familiar with the legendary works of Mizoguchi like The Life Of Oharu or Ugetsu Monogatari, will be able to witness one of his greatest and most influential pre-war films, The Story Of The Last Chrysanthemum, as well as the later wonderful tale of a ‘floating world’ artist, Utamaro And His Five Women.

There is Chabrol’s La Cérémonie. A work that has two outstanding central performances from Isabelle Huppert and Sandrine Bonnaire. A compelling crime drama that Chabrol has joked is “the last Marxist film” where once again the bourgeois get theirs in style.

I’ve included Match Factory Girl. Possibly my favourite Aki Kaurismäki film though I am spoiled for choice as I find his work particularly appeals to my sense of humour. He’s Bresson with laughs. Not easy to pull off. I have also chosen his Take Care Of Your Scarf, Tatjana. A must for caffeine addicts everywhere.

There’s Il Divo. This is really what great cinema is all about. The director Paolo Sorrentino has taken a subject whose interest could easily find itself confined to Italy and the parameters of Italian politics and yet through amazing film making technique and fascinating use of sound, transforms into an unforgettable dream work that must be seen.

And, finally, Béla Tarr’s beautiful, spare, cinematic farewell,……The Turin Horse. I wouldn’t hold him to it though.

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Ashley





AshleyScott Walker unveils his top ten films – available at home via Curzon On Demand