If you are a regular on these pages you’ll already be familiar with the work of one Jacco Gardner, the Dutch psych whizz kid who last year produced one of those drop dead brilliant, play it to everyone you meet type singles in Clear The Air.
The single perfectly captured late 60s British Baroque Pop in a way that no one has done for decades. Yet it still managed to sound contemporary and, dare I say, digital.
Gardner is now very much at the forefront of the new psych revival which has been bubbling under for ages, went over ground last year with Tame Impala and will go stratospheric this year once BBC 6 Music gets its head around the astonishing Foxygen.
So let’s just say that the expectations for this, Gardner’s debut album, are very high. Fortunately for psych fans everywhere the fella has delivered an album that builds on the promise of that superb single without, to be honest, ever quite eclipsing it.
I should say straight up that this album is not for everyone. There will be a people for whom the oompah beat, fairytale lyrics and Mellotron of the album’s closer The Ballad of Little Jane will send them screaming back to their Stooges albums. But if you like melodic, tuneful, experimental (there are plenty of odd song structures going on here) pop that owes a huge debt to the late 60s start here.
In many ways Gardner has picked up on some less, how shall we say this, fashionable psych influences. Sure you can hear Syd Barrett in Clear The Air and UK band Kaleidoscope could quite easily have recorded Where Will You Go in their Fairfield Parlour guise. But I am also hearing the first Genesis album (check it out it has some great tunes) on several of the tracks and the Mellotron that washes over Help Me out reminds me of The Moody Blues. Gardner is also clearly a huge fan of the always brilliant Fading Yellow series of compilations masterminded by Swedish psych fanatic JJ.
Highlights. Well apart from the singles Clear The Air and Where Will You Go (love that nibbling bass sound) the spacey drone of Puppets Dangling and gentle folky waltz of Lullabye do it for me. There isn’t really a weak moment. Occasionally though the precise nature of most of the tracks (Gardner is obviously a perfectionist) and the very mannered English sounding (for a Dutch fella anyhow) vocals can have you screaming for some explosive drums, powerful grooves and fuzzy guitar to mess things up a little. Maybe next time.
For now though give Cabinet a few listens on Spotify. By the time you have played it three or four times you will be addicted to it. Then get the vinyl!